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List of Illustrations   viii Notes on Contributors   xiii Series Editor's Preface   xix Preface   xx 1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art   1 Conrad Rudolph 2 Vision   44 Cynthia Hahn 3 Reception of Images by Medieval Viewers   65 Madeline Harrison Caviness 4 Narrative   86 Suzanne Lewis 5 Formalism   106 Linda Seidel 6 Gender and Medieval Art   128 Brigitte Kurmann-Schwarz 7 Gregory the Great and Image Theory in Northern Europe during the Twelfth and Thirteenth Centuries   151 Herbert L. Kessler 8 Art and Exegesis   173 Christopher G. Hughes 9 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art   193 Jill Caskey 10 Collecting (and Display)   213 Pierre Alain Mariaux 11 The Concept of Spolia    233 Dale Kinney 12 The Monstrous   253 Thomas E. A. Dale 13 Making Sense of Marginalized Images in Manuscripts and Religious Architecture   274 Laura Kendrick 14 Romanesque Architecture   295 Eric Fernie 15 Romanesque Sculpture in Northern Europe   314 Colum Hourihane 16 Modern Origins of Romanesque Sculpture   334 Robert A. Maxwell 17 The Historiography of Romanesque Manuscript Illumination   357 Adam S. Cohen 18 The Study of Gothic Architecture   382 Stephen Murray 19 Gothic Sculpture from 1150 to 1250   403 Martin Büchsel 20 Gothic Manuscript Illustration: ... log in or subscribe to read full text