Full Text

Illustrations


Subject Literature » Renaissance Literature

Place United Kingdom of Great Britain and Northern Ireland » England

DOI: 10.1111/b.9781405106269.2002.00001.x


Extract

1. ‘The Lambe speaketh’, anonymous engraved sheet inserted in William Turner, ‘The hunting of the Romish wolf’ (Emden, 1555), STC 24356, London, British Museum, Department of Prints and Drawings 2. ‘The pope suppressed by King Henry the Eighth’, anonymous woodcut, illustration to STC 1123, Foxe, ‘Acts and monuments’ (London, 1570), sig. 3B2r, London, British Library 3. ‘Which of these fower …’ anonymous woodcut sheet, London, 1623. STC 11211.5, London, Society of Antiquaries (Lemon 208) 4. ‘A pass for the Romish rabble’, anonymous engraved sheet issued by Claes Janz, Visscher, Amsterdam, 1624. Not in STC. Paris, Bibliothèque Nationale, Cabinet des Estampes 5. ‘Behold Romes monster on his monstrous beast’, anonymous engraved sheet, ?London, 1643. Wing V294, London, British Library, 669.f.8 (29) 6. ‘A Good Housewife’, anonymous woodcut sheet, ?London, c. 1600 (with later verses; mid-eighteenth-century impression). Present whereabouts unknown, photo, London, British Museum, Department of Prints and Drawings 7a and 7b (Satires on marriage), anonymous engraved sheets, London, 1628. STC 10408.6. New York, Folger Shakespeare Library 8. ‘A New yeares guift for Shrews’, sheet engraved by Thomas Cecill, London, c. 1630. Not in STC. London, British Museum, Department of Prints and Drawings 9a–d ‘The Foure Complexions’, sheets engraved by William Marshall, London, 1630s. Not in ... log in or subscribe to read full text

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