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Acknowledgments


Subject Literature

DOI: 10.1111/b.9781405119559.2007.00003.x


Extract

I editorialize here my gratitude to our authors for their intellectual commitment and gifts of time, expert knowledge, and critical insight. This volume would not exist without such individual generosity. Our collective references should also serve as a general expression of gratitude to all scholars of satire. Satire is an indispensable art form, and scholarship helps keep satire of the past in memory and accessible. The critical comments and suggestions made by my anonymous readers were invaluable. Blackwell's editors Emma Bennett and Karen Wilson at each stage were helpful without fail, and Sue Ashton is a fine copy editor. My gifted colleague Timothy Steele read my scribbling and offered excellent advice, as did James Engell, to whom I am also indebted for suggesting this project. I also want to thank Michael Shinagel for his support and liaison. I appreciate the assistance of all of these splendid people. In the muse department, special thanks must go to Elena, Evelia, and Isabella for their support of the non-institutional kind in advancing the completion of this volume, which I regret my father did not live to see. The editor and publisher gratefully acknowledge the permission granted to reproduce the copyright material in this book: A Harlot's Progress , Plate 1, etching and engraving, 1732. The Lottery , etching and engraving, 1724. A Harlot's Progress , Plate 4 (detail), ... log in or subscribe to read full text

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