Full Text
Entertainment Content and Reality Perception
Gabriel Weimann
Subject
Psychology
Communication Reception and Effects
»
Information Processing and Cognitions
Media Studies
»
Media Production and Content
Key-Topics
entertainment, perception
DOI: 10.1111/b.9781405131995.2008.x
Extract
Our perceptions of reality may often rely on mass mediated images. Walter Lippmann's classical work, Public Opinion , first published in 1922, highlighted the possibility that factual features of the world often have little relation to the perception and beliefs that people entertain about the world (→ Lippmann, Walter ). Lippmann (1922) argued that the press's depiction of events was often spurious; the images it created were misleading, distorted, and shaped false “pictures in our heads” of the “world outside.” Although Lippmann never formulated his ideas in terms of a model or theory of reconstructed realities, his notion of the reliance of the public on the often distorted presentation of reality in the media should be acknowledged as such. Lippmann made the important distinction between the real environment and the pseudo-environment, sketched and delivered by the mass media. However, although Lippmann had vision concerning the differences between reality and perceptions of reality, he could not anticipate the emergence of the electronic media and the ever-growing role of the new media in shaping “the pictures in our heads.” As radio, and then television, cable, and satellite technologies, and then the Internet, appeared, the world shrank to a global village, exposed to the flow of mass-produced news and entertainment, and the notion of a mediated world became more realistic ... log in or subscribe to read full text
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