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Part I: Critical and Topical Approaches to Hanekes Cinema
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1. Performative Self-Contradictions Michael Haneke's Mind Games 2. Five Tapes, Four Halls, Two Dreams Vicissitudes of Surveillant Narration in Michael Haneke's Caché 3. Infectious Images Haneke, Cameron, Egoyan, and the Dueling Epistemologies of Video and Film 4. Tracking Code Unknown 5. Michael Haneke and the New Subjectivity Architecture and Film 6. Games Haneke Plays Reality and Performance 7. Figures of Disgust 8. Without Music On Caché 9. Fighting the Melodramatic Condition Haneke's Polemics 10. “Mourning for the Gods Who Have Died” The Role of Religion in Michael Haneke's Glaciation Trilogy ... log in or subscribe to read full text
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